Themes are the fundamental and often universal ideas explored in a literary work. In revising the text the following year, Wilde included a preface, which serves as a useful explanation of his philosophy of art.
Newly understanding that his beauty will fade, Dorian expresses the desire to sell his soul, to ensure that the picture, rather than he, will age and fade. The wish is granted, and Dorian pursues a libertine life of varied and amoral experiences, while staying young and beautiful; all the while his portrait ages and records every sin.
While sitting for the painting, Dorian listens to Lord Henry espousing his hedonistic world view, and begins to think that beauty is the only aspect of life worth pursuing.
This prompts Dorian to wish that the painted image of himself would age instead of himself.
Under the hedonistic influence of Lord Henry, Dorian fully explores his sensuality. He discovers the actress Sibyl Vane, who performs Shakespeare plays in a dingy, working-class theatre.
Dorian approaches and courts her, and soon proposes marriage. The enamoured Sibyl calls him "Prince Charming", and swoons with the happiness of being loved, but her protective brother, James, warns that if "Prince Charming" harms her, he will murder him.
Sibyl, too enamoured with Dorian to act, performs poorly, which makes both Basil and Lord Henry think Dorian has fallen in love with Sibyl because of her beauty instead of her acting talent. Embarrassed, Dorian rejects Sibyl, telling her that acting was her beauty; without that, she no longer interests him.
On returning home, Dorian notices that the portrait has changed; his wish has come true, and the man in the portrait bears a subtle sneer of cruelty.
Dorian Gray observes the corruption recorded in his portrait, in the film The Picture of Dorian Gray Conscience-stricken and lonely, Dorian decides to reconcile with Sibyl, but he is too late, as Lord Henry informs him that Sibyl has killed herself. Dorian then understands that, where his life is headed, lust and good looks shall suffice.
Dorian locks the portrait up, and over the following eighteen years, he experiments with every vice, influenced by a morally poisonous French novel that Lord Henry Wotton gave him. Dorian does not deny his debauchery, and takes Basil to see the portrait.
The portrait has become so hideous that Basil is only able to identify it as his work by the signature he affixes to all his portraits. Basil is horrified, and beseeches Dorian to pray for salvation. In anger, Dorian blames his fate on Basil, and stabs him to death.
Dorian then calmly blackmails an old friend, the scientist Alan Campbell, into using his knowledge of chemistry to destroy the body of Basil Hallward. Alan later kills himself over the deed. A 19th century London opium den based on fictional accounts of the day.
To escape the guilt of his crime, Dorian goes to an opium denwhere James Vane is unknowingly present. James had been seeking vengeance upon Dorian ever since Sibyl killed herself, but had no leads to pursue: In the opium den however he hears someone refer to Dorian as "Prince Charming", and he accosts Dorian.
Dorian deceives James into believing that he is too young to have known Sibyl, who killed herself 18 years earlier, as his face is still that of a young man. James relents and releases Dorian, but is then approached by a woman from the opium den who reproaches James for not killing Dorian.
She confirms that the man was Dorian Gray and explains that he has not aged in 18 years. James runs after Dorian, but he has gone. James then begins to stalk Dorian, causing Dorian to fear for his life. However, during a shooting party, a hunter accidentally kills James Vane, who was lurking in a thicket.
On returning to London, Dorian tells Lord Henry that he will live righteously from now on. Dorian wonders if his new-found goodness has reverted the corruption in the picture, but when he looks he sees only an even uglier image of himself.
From that, Dorian understands that his true motives for the self-sacrifice of moral reformation were the vanity and curiosity of his quest for new experiences, along with the desire to restore beauty to the picture. Deciding that only full confession will absolve him of wrongdoing, Dorian decides to destroy the last vestige of his conscience, and the only piece of evidence remaining of his crimes—the picture.
In a rage, he takes the knife with which he murdered Basil Hallward, and stabs the picture. The servants of the house awaken on hearing a cry from the locked room; on the street, passers-by who also heard the cry call the police.
On entering the locked room, the servants find an unknown old man, stabbed in the heart, his face and figure withered and decrepit. The servants identify the disfigured corpse by the rings on its fingers which belonged to their master, Dorian Gray.
Beside him, the portrait is now restored to its former appearance of beauty. Characters[ edit ] Oscar Wilde said that, in the novel The Picture of Dorian Graythree of the characters were reflections of himself: Basil Hallward is what I think I am: Lord Henry is what the world thinks of me: Dorian is what I would like to be—in other ages, perhaps.Oscar Wilde did not invent Aestheticism, but he was a dramatic leader in promoting the movement near the end of the nineteenth century.
Wilde was especially influenced as a college student by the works of the English poet and critic Algernon Charles Swinburne and the American writer Edgar Allan Poe. quotes from The Picture of Dorian Gray: ‘The books that the world calls immoral are books that show the world its own shame.’ ― Oscar Wilde, The Picture of Dorian Gray.
likes. Like “Every portrait that is painted with feeling is .
The Picture of Dorian Gray is a Gothic novel and philosophical novel by Oscar Wilde, first published complete in the July issue of Lippincott's Monthly Magazine.
Fearing the story was indecent, the magazine's editor without Wilde's knowledge deleted roughly five hundred words before publication. The Conflict Between Aestheticism and Morality in Oscar Wilde’s The Picture of Dorian Gray.
Patrick Duggan. Download this article. Oscar Wilde prefaces his novel, The Picture of Dorian Gray, with a reflection on art, the artist, and the utility of both. After careful scrutiny, he concludes: “All art is quite useless” (Wilde 4).
Frankenstein, By Mary Shelley And Oscar Wilde 's The Picture Of Dorian Gray. humans are afraid of. Monsters are featured in both Mary Shelley’s Frankenstein and Oscar Wilde’s The Picture of Dorian Gray.
There is a discrepancy, however, in what makes a man a monster. homosexual character of Dorian Gray, and by making this issue into an explicit theme these studies have taken a crucial new step toward a true understanding of the deep symbolic structure in Wilde’s novel.