Archetypes are patterns or models of literature that reoccur in many stories. In this paper I will discuss three of these archetypes. These archetypes can be noticed easily and help things come together. The Lion King has a very evident hero, Simba.
Sometimes archetypes are used to allow the viewer to make a better connection with a character or narrative, sometimes they are used to symbolise something important, and sometimes they are used simply because it makes sense to do so. Here are just some of the archetypes used in the animated movie Reluctant Hero This is, of course, Simba.
The Reluctant Hero is a common archetype used in a lot of movies, and is normally the protagonist. Simba is the good guy and the rightful king to the Pridelands, even though for a large portion of his life he would rather leave the past behind him.
It takes a lot of encouraging from other characters until he finally returns home and faces the antagonist Scar to take back his kingdom. Wise Old Man This character archetype is almost always present in a work that contains a Reluctant Hero, and acts as a guide or mentor to them on their journey.
While Rafiki is present a number of times throughout the film, his Wise Old Man role comes into play towards the end of the story, when he helps Archetypes of the lion king to realise that a part of Mufasa lives on in him, ultimately convincing him that going home and taking his place as king is what he needs to do.
Sacrificial Character Sometimes in media, it is necessary to kill off one of the good guys in order for the protagonist to survive and for their character to develop. I'm sure you all know who this character is in The Lion King.
Simba's life was heroically saved by Mufasa in the stampede, but Mufasa was unable to save himself - not if Scar had anything to do with it. The protagonist survives this scene, at the cost of Mufasa losing his own life.
Death and Rebirth of the Hero Despite the name of this archetype, it does not necessarily mean that the hero character is physically killed and then reborn. It simply means that the hero has some sort of lapse that lasts for some time, but later they return to who they once were and the heroic element in their character is restored.
Simba's symbolic "death" in the story happens when he flees from the Pridelands to the desert.
His "rebirth" is when he eventually makes the decision to return to the Pridelands, and then does so. Light Sometimes in media, dark colours are associated with evil and light colours with good. Scar, the antagonist, has darker fur and a darker mane than Simba, the protagonist, and Mufasa.
Scar's "lackeys", the hyenas, are also darker and duller in colour than many of the other characters, while many of Simba's allies are generally quite lightly-coloured the lionesses or bright Zazu. The Pridelands also follow this pattern; when the king is Mufasa or Simba, they are brightly-coloured, whereas when Scar is in charge, everywhere is grey and lifeless.
Corruption from Power This happens to Scar when he is king. Sometimes, a character is given more power than they can really handle, and this causes problems for everyone, often themselves included.
Scar abuses his power as king, causing the pride to fear him, and the Pridelands becomes a wasteland during his reign. Desert This is a type of symbolism used commonly in literature and media, where water is used to symbolise life and safety, and desert or dryness is used to symbolise death or dystopia.
The writers for The Lion King loved this one. There is a subtle reference to this symbolism when Simba tells his mother that he and Nala are going to the waterhole, when the real plan is to visit the dry Elephant Graveyard.
A more literal example is used when Simba collapses in the desert, and Timon and Pumbaa revive him by splashing him with water. The most prominent example in the film, however, is how Scar's reign causes the Pridelands to dry out and lose almost all life. The place goes up in flames when Scar and Simba battle it out, and when Simba is triumphant, it begins to rain, putting out the fire and eventually restoring the Pridelands to the habitable place it once was.
The Sidekick is a friend and helper to the protagonist.The Archetypes of the Lion King Simba: Hero or Cold-blooded Murderer?
The "unconscious" is a psychological concept that is interpreted differently by many psychologists. Sigmund Freud interprets the unconscious as a place where thoughts, feelings and memories are kept, and cannot easily be brought into the conscious mind.
The Lion King Archetypes Setting Archetypes The Wasteland: The wasteland in The Lion King, was the Elephant Graveyard. It is always gloomy in the Elephant Graveyard no matter the time of day or night. The Lion King Archetypes. God Teacher – In the movie “The Lion King” the archetype of God teacher is used in the character Rafinki.
Rafinki is a monkey who seems to have supernatural powers and helps lead the main character, Simba, onto his path.
The characters in the movie, The Lion King display a diverse variety of archetypes through their own character traits. Simba, the main character and protagonist of The Lion King, shows a number of archetypes throughout the course of the film.
Archetypes in The Lion King Guide by glelsey posted over a year ago An archetype is a model device commonly used in media, and there are quite a few of them present in The Lion King. Archetypes in Disney's the Lion King.
STUDY. PLAY. Situation Archetypes. the plot lines.
the quest. Simba must first acknowledge and become who he is and the forgive but not forget his weakness. He must then defeat Scar and the Hyenas, take his place as Lion King, accept his part in the circle of life and this restore order and fertility to the.